Heiner Müller’s Presence in the German Public Sphere

Project Description:

The project that I want to present at the GSA is part of my dissertation, which is titled “Capitalizing on the Avant-Garde? An Analysis of Adversarial Authors’ Marketing Strategies in the Second Half of the 20th Century”. My research examines the establishment of avant-garde authors’ and artists’ public personae in the context of changing structures of the public sphere. In particular, I focus on the self-presentation and promotion of adversarial authors who draw on the ideals of the avant-garde and the artistic critique of capitalism. Such authors are known for their critical stance towards the bourgeois lifestyle and materialist values, an opposition that they express in their works and at times also through their own bohemian identification. Yet these same anti-establishment authors and artists present themselves in the mainstream public sphere and the media, arenas that are highly influenced by the laws of the market. I therefore examine whether these authors’ use of marketing methods and media environments undermines their outsider credibility and the credibility of their work, or, alternatively, how they may have been able to develop strategies of engaging with the media and marketing principles that allow them to remain subversive nonetheless. In particular, I analyze how East German playwright Heiner Müller (1929-1995) presented himself in public and how he was marketed and strategically positioned by his publishing houses, especially by the Suhrkamp Verlag. I draw on his television interviews, public readings, and speeches, as well as on marketing materials such as book covers, blurbs, and press releases by his publishers.

The materials that I will present at the GSA draw on this doctoral work of mine and consist of different graphs and visualizations concerning Heiner Müller’s presence in the German public sphere. I have collected metadata on the publication of his writings (essays, articles, speeches, etc. collected in his Schriften volume) and on the broadcasting of his interviews from the respective volumes of his edited works. Based on this data, I can illustrate the importance of literary awards (Büchnerpreis in West Germany 1985, Nationalpreis 1. Klasse in East Germany 1986) for the expansion of Müller’s public presence, since the amount of interviews and writings he published per year increases significantly after he accepted these two awards (please see the respective PDF files for better perceptibility):

Graph 1: Heiner Müller’s Publications 1960 – 1998 Cf. PDF Graph 1 & Dataset

I therefore claim that publicly accepting the aforementioned literary awards and thereby implicitly honoring the cultural authority of the granting institutions was crucial for the establishment of his public persona and for gaining access to the mainstream media.

The data also documents specific changes in Müller’s choice of publication venues for his writings over time. The visualizations that I generated with RAW  allow me to argue that Müller ceased from publishing his essays, articles, and interviews in theater programs – a publication type that he used in the 1960s and 1970s, but that usually only reaches small audiences of actual theatergoers – as soon as he got access to the mainstream media in the late 1980s and the beginning of the 1990s.

Screenshot 3
Graph 3: Where did Heiner Müller publish his Essays/Articles/Writings?
Cf. PDF Graph 2 & PDF Graph 3 & Dataset

Furthermore, I can show the significance of Müller’s collaboration with Alexander Kluge and Frank M. Raddatz for his experimentation with the interview genre. These two interview partners of his stand out of the array of people Müller did interviews with, since he met them very often and over long periods of time (Graph 4). Kluge and his television production company, DCTP, are moreover absolutely essential for Müller’s presence on television, as Graph 5 highlights:

Graph 4: Heiner Müller’s Interview Partners Cf. PDF Graph 4 & Dataset
Graph 5: TV & Radio Broadcasts of Heiner Müller’s Interviews Cf. PDF Graph 5 & Dataset

The process of collecting, refining, and visualizing this data was crucial for making the discoveries that I just mentioned. I had read and analyzed Müller’s interviews and writings before: I had taken notes on specific topics and I had interpreted certain pieces or passages, but only the data driven approach that I present here and the visualizations that I generated based on it allowed me to discover and document the broader patterns that are so critical for my thesis. I personally value this multifaceted research process as a very fruitful combination of traditional methods in the humanities (Hermeneutics, Critical Theory, Close Reading) and data driven DH approaches.

In a second step, I would like to apply some topic modeling and stylometric analysis to Müller’s interviews and writings in order to examine whether I can detect changes in Müller’s style and in the topics he addresses. My assumption is that Müller altered both his writing style and his topics when he began to reach out to more mainstream audiences in the late 1980s.

‘Mapping German Enemy Citizens’. Digitising Dutch politics of (de) enemisation in the aftermath of the Second World War

In the years preceding, during and after the Second World War, the notion of citizenship with its links to nationality and legal protection by the state underwent radical change. Nazi policies had enforced a strict categorisation and isolation of citizens, with genocide as the ultimate consequence. German aggression and ideological constructions of Germanness and Brudervölkern had a major impact on the meaning of German nationality after the German capitulation as well. Occupied by Germany from 10 May 1940, the Dutch government in exile in 1944 declared all German nationals in the Kingdom of the Netherlands to be enemy citizens. Soon after the German capitulation in 1945, ten thousands of Germans were stripped of their assets, regardless of political allegiance or place of residence and without any Dutch compensation. Some were imprisoned or deported, others left at their own initiative. The project Germans as enemy citizens researches these Dutch policies, as a case in point to investigate how citizenship has been further put to the test after the Second World War.

Citizenship entitlements provide specific mechanisms of inclusion and exclusion in transitional times. In this research citizenship is approached as an essentially contested concept, related to changing sets of definitions in terms of legal status, privileges and rights, social and political engagement and identity.

Before 1940, thousands of German nationals held residence in the Netherlands and its overseas territories. Some had a residence permit, such as Grenzbauern, migrant labourers and housemates, or were German through marriage. Others lived and worked as missionaries, artists and entrepreneurs in Suriname or the Dutch East Indies, or were – now stateless – German Jewish refugees without a Dutch legal status. After 1944, all Germans in the Netherlands were politically categorised as enemy, a decision against which they could appeal. Who were these Germans and what did their German citizenship imply for them? How did international discourse on ‘collective guilt’ and human rights affect Dutch politics on Germans and citizenship in the aftermath of the Second World War? And, how can these Dutch post-war policies be understood in a more global framework? These are central questions in this PhD project (2015-2019).

Internationally, research on Heimatvertriebenen, or homeland expellees, and German refugees and emigrants who themselves or whose ancestors had involuntarily lost German citizenship in other European countries, has resulted in a vast amount of literature. However, regarding the Netherlands, the history of Germans post-1945, as part of the post-war legal redress in general, has received little attention from historians and has long been separated from the historiography about the Second World War. Little research has been done on the German minority in the Netherlands and its overseas territories after May 1945, and to this day it is unclear how many people were affected by the Dutch government’s judicial, economic and policy measures implemented. This can be explained by the trends and phases, the different approaches to the Second World War. For decades, the first post-war years in particular, debate was coloured by moralistic visions, based on the categorisation of ‘right-fully behaving Dutch’ and ‘guilty Germans’. It can also be explained by the fact that there are almost no diaries, memoirs or testimonies. The only source that can provide insight in the experiences of German enemy citizens is the extensive but little researched archive of the Dutch Property Administration Institute, an Institute that was authorized to detect, manage and liquidate confiscated German assets.

The archive of the Dutch Property Administration Institute, stored in the National Archives in The Hague (NL), provides a valuable source to investigate the moral, political and financial considerations at stake in Dutch policies of restorative justice. It is the primary source for answers to questions like “who were declared enemy?”, “how were people categorised?”, and, “who was in a position to appeal against the verdict?”. Jurisprudence, letters of request for de-enemisation and in particular the defences of enemy citizens shed light on the Dutch post-war policies. However, to this day this archive of this Dutch Property Administration Institute has not been completely disclosed. Direct access to the personal records of enemy citizens is due to the Personal Data Protection Act restricted, which makes both qualitative and quantitative research more than seventy years after WWII still almost impossible. The only entry into this complex archive are the original paper index-cards (circa 25000 in total), used by secretaries then to organise and categorise their archives.

These cards contain personal data such as names, nationality, place of birth and place of residence, but also the final court decision. With the information on these cards, I can submit a request to research the personal files. But, using digital tools, the data on these cards provide more interesting information. Therefore, to process and manage archival data, a database was designed. This database functions as an archive of an archive, which considering the fact that the archive of the Dutch Property Administration Institute has not yet been disclosed nor digitalised, and that there are limited options to search through the files, this is a major advantage. More importantly, the database enables me to count, filter and query my archival data (see http://mariekeoprel.nl/queries.html). A first sample test (824 cards) proved that it is possible to count how many enemy citizens had the German nationality, and to filter on for example gender or whether the no-enemy declaration was given or rejected. Furthermore, the test showed that it is possible to plot geographical data, such as place of birth and place of residence, and map the geographical patterns of Germans who left the Netherlands, be it on their own initiative or because of deportation (see http://mariekeoprel.nl/data.html. Finally, the sample test indicated that entering the data in a database can help disentangle the bureaucratic apparatus the Dutch Property Administration Institute was. The cards also include a variety of stamps, comments and notes. Digitalisation of the cards into a structured database enables to work along and against ‘the archival grain’. That way, large scale patterns in the archival form can be identified and analysed, as well as the semantic information and in particular the used classifications.

Protest Spaces: Peace Movements in the United States and Germany, 1921-2000

Color_kasper-01Shelley E. Rose (Cleveland State University)

Jared R. Donnelly (Air Command and Staff College)

Project Overview


“Protest Spaces: Peace Movements in the United States and Germany, 1920-2000” (www.protestspaces.org) is a transnational collaboration of scholars from Cleveland State University in Ohio, Air Command and Staff College in Alabama, and Mannheim University in Germany. The research team combines historical data on protest and grassroots demonstrations gathered from American and German archives in a location-based multimedia database of protest events and archival materials in the United States and Germany, creating a geospatial research tool for humanities scholars worldwide.

Both the pilot and long-term project use Omeka and Neatline. The database will eventually include an archives section which maps the locations of archival materials gathered and deposited by activists in the United States and Germany. This central digital database will facilitate international cooperation and dissemination of humanities scholarship by providing scholars with a new analytical tool for studying protest and grassroots demonstrations.

“Protest Spaces” builds on Kathrin Fahlenbrach, Martin Klimke, and Joachim Scharloth’s premise that “current research on protest, dissent, and social movements is not confined to traditional boundaries anymore.” (Protest Cultures, 2) The project centers on three categories of protest events:

1.) location-specific events which occupy spaces symbolic to national or movement history like an Erinnerungsort, or memory sites such as the Frankfurt Paulskirche;

2.) issue-specific events which consolidate around a moment in history like the NATO Double Track Missile Decision (NATO Doppelbeschluss), US-Involvement in Latin America, the Vietnam War, and the First Gulf War; and

3.) transnational events which themselves crossed national borders and fostered connections between activists in different locations, such as Women’s International League for Peace and Freedom (WILPF) international summer schools in the 1920s and San Francisco to Moscow March for Peace from 1960 to 1961.

Each of the three categories includes the wide range of protest practices used by activists to appropriate public spaces, both in a literal and metaphorical sense, such as sit-ins, die-ins, military base blockades, nuclear free zones, and vigils. Through these lenses, scholars will be able to visualize patterns in the activists’ use of space which are otherwise obscured by the nature of archival research and the limits of studying protest events within individual archival collections. By curating information from diverse archives in the United States and Germany into the “Protest Spaces” platform, humanities scholars will have access to a unique set of geospatial visual data to enhance traditional academic protest research.

History


The project originally emerged from the dissertation research of Shelley Rose and Jared Donnelly. In 2014, we collaborated with Philipp Gassert and Philipp Baur of Mannheim University on a National Endowment for the Humanities (NEH) / Deutsche Forschungsgemeinschaft (DFG) Biliateral Digital Humanities Grant. We were not successful, but learned much from the external reviewer reports, including the challenges of applying to a program administered by two different national research agencies. One of the most important lessons was to have a small scale pilot project to showcase in the proposal to help reviewers understand what the digital humanities product will look like. This is why we are currently piloting case studies from each of the three categories above for our next cycle of grant applications in Fall 2016. This cycle will not include the NEH/DFG because the program has been discontinued.

Future Directions and Challenges


Protest Voices Project: This summer, two undergraduate student researchers at Cleveland State are collecting oral history interviews from local activists, focusing on anti-Vietnam protests and Cleveland’s active Catholic community which mobilized around four female mission workers who were murdered in El Salvador in December 1980. These interviews will provide material for the issue-specific category of the pilot project, and demonstrate the significance of including both American and German events in the Protest Spaces project.

Archival collaborations: In Germany, most protest movement collections are housed in a variety of movement archives rather than in the larger institutions. Protest Spaces will display information from these archives  to make sources more discoverable and aid in planning archival research trips. In the future, we hope to conclude agreements with the major archival collections in the US and Germany in order to provide rich content for Protest Spaces and publicity for the collections.

Future contributor policies: We need to consider how we will generate content long term. Should this be through an open call, like a call for encyclopedia entries, or keep content creation in the hands of our research team.

Integrating historical map overlays: One of the critiques from our NEH/DFG reviewers was that we need to articulate a clear plan for including historical map overlays. We are currently exploring Geoserver and other options.

Bilingual Interface: should we consider a bilingual interface? What would this look like?